by Béa Aaronson
WHO IS IN CHARGE?
For our children, the trees of the world.
look carefully
I don't know if it's time
But
I can feel a whirlwind...
A disturbing intelligence
I fear that the conflicts of the world
behind the masks
Like windows of fire
Shoot everyone...
It will be
An act of war...
with surgical precision
Of a crazy auction
In his ghost ship!
Destination?
Don't know
It's very strange…not knowing…
but also very valuable
Well everything is open
However,
I want to know
Who is in charge?
there are children dying
Who is in charge?
Don't give me shitty answers!
…A bunch of power-hungry criminals
How is it possible to keep our honor
while we lose humanity?
I wish I had the courage
To disarm our “civilization”
My only goal...
my deepest conviction
It's time to act
ART TO LIVE
no more discussion
You do not say anything?
That human disaster has to stop...
Tell me what you see…
Hand in hand…
With just one look...
THE GREAT MOVEMENT CATCHES THE WIND…
HOLD ON TIGHT!
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Béa Aaronson was born in Paris. She is a self-taught multimedia artist (painter, sculptor, welder, collagist, photographer), a published poet, author, and art critic, an international lecturer and independent scholar, as well as a stage performer and movie actress.
She holds a Honors degree in History of Art, with a thesis on Gustave Moreau A Mystical World, an MA in French Literature with a thesis on Charles Baudelaire entitled Baudelaire Le Sang: Homopoeisis et Blessure, an essay on the symbolism of Blood and the Wound in The Flowers of Evil, and a PhD in Philosophy and Comparative Literature with a dissertation on Marcel Proust, The Bark and The Sap: A Midrashic Reading of Marcel Proust’s A la recherche du temps perdu, focusing on the Jewish Kabalistic dimension of In Search of Lost Time.
She has published many essays, poems, articles, drawings, paintings and photographs in various magazines, journals and encyclopedias, such as Found Object in New York, Deus Loci in Baltimore, Tessera in Canada, The Review of Francophone Literature in Amsterdam, The Encyclopedia of Twentieth Century Jewish Writers in London, and Polyphony in Charleston. She published and illustrated her first book in 1998, Baudelaire-Miller Sexual Squalor in Paris, which is now the property of Harvard’s Private book collection.
Aaronson has exhibited her work in
the FIAC in Paris and Strasbourg;
Galerie de l’Europe, rue de Seine Paris
the Chateau de Sade for the French designer Pierre Cardin;
the International Art Fairs of Miami and Beirut;
the National Gallery of Art in Cape Town, South Africa;
the Gibbes Museum in Charleston, SC;
in Israel, Mexico, and the United States of America.
She was the official Piccolo Spoleto poster artist, in 1989, 2001, and 2005, and also created posters for The Alliance Française and the Jewish Cultural Center of Charleston, SC.
Her creative journey is an adventure of the senses, a synesthesia of energies and media… Beyond frames, beyond categories.
bea_aaronson@hotmail.com
415 152 02 36
www.artlifebea.com
More art
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