June 23, 2024
by Béa Aaronson
COMBAT ZONE FOLLIES
SCROUGED RULES
ABSOLUTE AT ALL COSTS
OUTCAST REPAY
WHATEVER THE COST
HOOFBEASTS
MASTERS
GET OUT GET OUT
TOURNAMENT
TO SHARE
WITH SPECIAL ARRANGEMENTS
EXPECTED PROUD WORRYING PARADES
THE STAGE IS SET
COMBAT ZONES FOLLIES
HORROR PENALTY
CRUEL PUNISHMENTS CONTAGION
FORENSIC FOOTSTEPS
INTO SUPERMEN ROBOTS
ORPHANAGES INCREASE
SPITMILK COWARDS
CREAKING MEASUREMENTS
WITH PRECISION PRODUCTION
REMAINING ABSURDITY
ANGRY LUNATICS
THE REWARD?
DO NOT KNOW
MAYBE…DEATH?
A SEA OF VOICES
SCREAMING REFUGES
CALCULATED GIFTS
HAUNTING DIAGNOSES
CIPHER WARS
FACING FATE
HUMANS CANNOT CHOOSE ANYMORE THEIR THOUGHTS
NEEDS ARE GREAT
NO TIME
NO TIME
TO BE ALIVE BEFORE ONE DIES
KEYS TO LOCKS
LOCKS TO KEYS
BLOWN AWAY BELLS
SILENT BELLS
A SEA OF VOICES
IS PAIN MORE LOYAL THAN BRAVERY?
PACT OF CONSCIOUSNESS
A NEW AGE IS DAWNING
SABOTAGE
DRAGGING HUMANS
FOR THE RECORD
TROOPS OF METAL AND PLASTIC
AI TROOPS MARCHING ON
CONSEQUENCES?
WHO THINKS ABOUT CONSEQUENCES?
NO WAY BACK THOUGH
TOMORROW AWAITS
WRETCHED HUMANS
BESEECHING FOR A GLIMPSE OF HOPE
TO DETER
TO REBEL
THE EARTH IS ALREADY SHAKING SOME
RECURRING TRANSFERS OF ENERGY
NEVER SURRENDER
TO THE PSYCHOTIC GREEDY MANIPULATORS
SABOTAGE!
NO MORE STEEL STORMS
SCARY BLOODY VISITORS
IT'S ALL GOING TO BE OVER SOON
CAN WE STILL HAVE A FUTURE?
I MEAN… US
YOU HERE
YOU THERE
ME HERE
ME THERE
INTERIM COURSE
FURIOUS LONELINESS
FRETTING DIVORCES
IT'S REAL ALRIGHT
WHAT WAS
WHAT IS
WHAT WILL BE
FIERCE INTELLIGENCE
NO PRODIGAL RETURNS
HOME AGAIN
SPRY CAGES
TRIUMPHANTLY TAILING THE SKIES
STALKING EMBELLISHMENTS
SUCH A DISTRAUGHT STORY
A DANGEROUS ENTHUSIASM
OBSSESSIVE INVISIBLE ENDINGS
NO SLEEP EITHER
FAR TOO CLEVER TO EVEN THINK!
THEY RULE AND DESTROY
HENCEFORTH
WORHTLESS WITTICISMS OF CHEMICAL FICTION
MADE REDUNDANT
FOOLS!
IT'S REAL ALRIGHT
UNTIL IT BECOMES FICTION AGAIN?
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Béa Aaronson was born in Paris. She is a self-taught multimedia artist (painter, sculptor, welder, collagist, photographer), a published poet, author, and art critic, an international lecturer and independent scholar, as well as a stage performer and movie actress.
She holds a Honors degree in History of Art, with a thesis on Gustave Moreau A Mystical World, an MA in French Literature with a thesis on Charles Baudelaire entitled Baudelaire Le Sang: Homopoeisis et Blessure, an essay on the symbolism of Blood and the Wound in The Flowers of Evil, and a PhD in Philosophy and Comparative Literature with a dissertation on Marcel Proust, The Bark and The Sap: A Midrashic Reading of Marcel Proust’s A la recherche du temps perdu, focusing on the Jewish Kabalistic dimension of In Search of Lost Time.
She has published many essays, poems, articles, drawings, paintings and photographs in various magazines, journals and encyclopedias, such as Found Object in New York, Deus Loci in Baltimore, Tessera in Canada, The Review of Francophone Literature in Amsterdam, The Encyclopedia of Twentieth Century Jewish Writers in London, and Polyphony in Charleston. She published and illustrated her first book in 1998, Baudelaire-Miller Sexual Squalor in Paris, which is now the property of Harvard’s Private book collection.
Aaronson has exhibited her work in
the FIAC in Paris and Strasbourg;
Galerie de l’Europe, rue de Seine Paris
the Chateau de Sade for the French designer Pierre Cardin;
the International Art Fairs of Miami and Beirut;
the National Gallery of Art in Cape Town, South Africa;
the Gibbes Museum in Charleston, SC;
in Israel, Mexico, and the United States of America.
She was the official Piccolo Spoleto poster artist, in 1989, 2001, and 2005, and also created posters for The Alliance Française and the Jewish Cultural Center of Charleston, SC.
Her creative journey is an adventure of the senses, a synesthesia of energies and media… Beyond frames, beyond categories.
aaronsonbeatrice@gmail.com
415 152 02 36
www.artlifebea.com
More art
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